The 2014 Samuel Goldwyn Writing Awards were announced Monday at the UCLA Faculty Center. The awards, now in their 59th year, recognize screenplays, teleplays and stage plays and are open to submissions from all University of California students. Read more...
Photo: Screenwriting graduate student Han-Yee Ling (middle left) earned first prize at the 2014 Samuel Goldwyn Writing Awards for her drama “Spaghetti Bridges.” (Max Himmelrich/Daily Bruin)
There is a primal instinct that’s generally truer than the traditional fight-or-flight responses: panic. Unbridled, terrified panic. It usually manifests as screaming or, internally, a mind-numbing sense of lingering dread. Read more...
Photo: (Magnolia Pictures)
Choosing to watch an older horror flick is a little bit like going trick-or-treating. Sure, there seems to be a mountain of regrettable candy corn and chewy messes to sift through, but every once in a while, like a diamond in the rough, comes the deluxe, king-size chocolate bar of your dreams. Read more...
Photo: (Walt Disney Pictures)
In “Interstellar,” Christopher Nolan once again refracts time to create focus on the theme of love. In Nolan’s 2010 critically acclaimed “Inception,” characters live hours to entire lifetimes in dream worlds. Read more...
Photo: (Paramount Pictures)
At this point in the horror film genre’s development, found footage films have been driven into the ground. It seems every month a new exorcism or possession movie drives yet another nail into its coffin. Read more...
Photo: (Courtesy of Karey Rinkenberger/Image Entertainment)
In “John Wick,” Keanu Reeves is the action hero for everybody. He has the overwhelming bloodlust of Mel Gibson in “Mad Max,” the surprising vengefulness of Uma Thurman in “Kill Bill” and the brooding professionalism of Liam Neeson in “Taken.” Like the protagonists in all of the aforementioned films, Reeves’ title character goes on an unbridled campaign to get what he wants. Read more...
Photo: (Lionsgate)
At the height of Andy Warhol’s fame in the late 1960s, artists, poets and musicians crowded his New York City studio space, called “The Factory.” In a haze of smoke, rock groups like the Velvet Underground played as 16 mm films made by Warhol and his peers were projected onto screens. Read more...
Photo: Co-comissioned by the Center for the Art of Performance at UCLA, “Exposed: Songs for Unseen Warhol Films” will feature 15 publicly unseen Andy Warhol films, including the 1966 “Color Film of Antoine and Nico.” (The Andy Warhol Museum)
