Monday, December 22

Movie Review: ‘Million Dollar Arm’

Jon Hamm has a terrific salesperson persona. Partially because he’s beautiful, and partially because of his experience as Don Draper on AMC’s “Mad Men,” which Disney executives obviously caught wind of at some point between his first and 10th Emmy nomination. Read more...

Photo: (Walt Disney Studios)


Movie Review: ‘Godzilla’

In some ways, Godzilla is to Japan as Captain America is to the United States. He’s a symbol of hope and heroism at times most dire, such as when giant three-headed dragons arrive on meteorites from other planets. Read more...

Photo: Warner Bros.


Movie Review: ‘The Immigrant’

The opening shot of “The Immigrant” shows the Statue of Liberty’s back turned toward the camera. She represents defiance, and wants her new visitors to know that their trip across the Atlantic will ultimately make for an elegiac, if not beautiful, tale. Read more...

Photo: Courtesy of The Weinstein Company


Out of Focus: New series calls attention to work by Polish filmmakers

France, Italy, Germany – these are the countries most represented in lists of European cinema’s most beloved films. There are exceptions, yes – you have your Ingmar Bergman movies and your Andrei Tarkovsky pictures, but the trend is unmistakable. Read more...

Photo: (P.P. Film Polski) “Masterpieces of Polish Cinema,” presented by Martin Scorsese, is an ongoing cinematic program at the Los Angeles County Museum of Art and The Cinefamily. Spanning the months of May and June, the exhibition features films such as Andrzej Wajda’s “Innocent Sorcerers.”


Movie Review: ‘Fed Up’

Sugar pervades our modern food system. It’s in cereal, yogurt and, of course, soda. However non-threatening these sugars may currently seem, after a viewing of the engaging documentary “Fed Up,” they will seem nothing short of sinister. Read more...

Photo: RADiUS-TWC


Movie Review: ‘Neighbors’

For all their beer-soaked, neon-splattered glory, college movies are rarely told from the point of view of a traditional frat house. When “classic college films” come to mind, they summon images of dorky social climbers, a la “Revenge of the Nerds,” or outcasts and riffraff, a la “Animal House.” “Neighbors,” directed by Nicholas Stoller, the man behind “Get Him to the Greek” and “The Five-Year Engagement,” presents a glimpse into the oft-unseen world of social frat houses. Read more...

Photo: Universal Pictures


Movie Review: ‘Palo Alto’

The teenager – a pimply, awkward, lovesick species – has provided universal themes of angst, rebellion and loss of innocence for generations. Gia Coppola’s debut directorial film, “Palo Alto,” takes advantage of these recurring themes and offers a fresh, compelling look at the strife of the everyday teenager. Read more...

Photo: Courtesy of Tribeca Film



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