Audiences don’t seem to be flocking to the cineplex for realism anymore. Whereas the believable epic “Gone with the Wind” was once the highest-grossing film of all time, so was the more fictionalized “Jaws” after it and, more recently, “Avatar.” Had “Last Passenger,” the debut feature from British director Omid Nooshin, come out at the time of “Gone with the Wind,” or even “Jaws,” it probably would have been received differently: praised for its character study, appreciated for its structured thrill ride. Read more...
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