Monday, December 22

Movie Review: ‘Tim’s Vermeer’

Renowned 17th-century Dutch artist Johannes Vermeer, famous in the art world for creating photograph-like interior spaces, may have traced his work. At least that’s what is purported by the film “Tim’s Vermeer,” a documentary narrated by Penn Jillette and directed by Teller, both of famed comedy-magic duo Penn and Teller. Read more...


Out of Focus: The films of Anthony Mann come to Westwood

Modern cinema is indebted to Anthony Mann, even if few are aware of it. Working under strict production codes and B-picture budgets, Mann crafted a string of brilliant movies in the 1940s and 1950s that chronicled outsiders and anti-heroes long before they became popular. Read more...

Photo: “The Furies,” a Western starring Walter Huston and Barbara Stanwyck, is one of a selection of films by director Anthony Mann screening at UCLA’s Billy Wilder Theater from Jan. 31 to March 30. The series is titled “Dark City, Open Country: The Films of Anthony Mann.”


Movie Review: ‘Like Father, Like Son’

Riddled with the complexities of father-son relationships, the occasional laugh and a rather unfortunate revelation, “Like Father, Like Son” delicately depicts the story of two families that find themselves struggling with the notion of nature versus nurture. Read more...


Movie Review: ‘Stranger by the Lake’

“Stranger by the Lake” can be placed comfortably in opposition to last year’s Palme d’Or winner “Blue Is the Warmest Color.” While the latter found success in fitting lesbian lovers into a conventional romance, the former delights in the transgressive surrealism of its premise, taking cues from Hitchcock in its intertwining of love and death. Read more...


TFT student’s ‘Of Love, My Siren’ inspired by Chinatown

Chinese dragons, fortune cookies, flashing pagodas. Classic icons of San Francisco’s Chinatown illuminate the screen as a sultry nightclub singer takes the stage in a crowded speakeasy. Read more...

Photo: “Of Love, My Siren” is the thesis film of UCLA School of Theater, Film and Television student Chelsey Dubiel. The story centers on the romantic relationship of lovers Leu and Tony, set in the backdrop of San Francisco’s Chinatown.


Out of Focus: Classic noir film “Laura” returns to big screen

Film noir, a genre characterized by dark lighting, seedy characters and raging sexuality, became an American movie mainstay in the early 1940s. Influenced by the stylized cinema of the German Expressionists and the white-hot violence of 1930s pulp magazines like “Black Mask,” film noir would leave an indelible mark on film. Read more...

Photo: One of the definitive mystery and noir films of the 1940s, Otto Preminger’s “Laura” stars Dana Andrews as Mark McPherson, a detective who falls in love with Laura (Gene Tierney), a woman who’s murder he is investigating.


Movie Review: ‘Jack Ryan: Shadow Recruit’

http://www.youtube.com/watch?v=K9KAnx4EvaE In the fog of January, a month during which the scraps of Hollywood are being released to the public in the wake of the end-of-the-year awards season rush, the brightest glimpses of hope usually come in unexpected forms. Read more...



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