Concert movies in today’s cinema are notably ingenuous. The behind-the-scenes material of films such as “One Direction: This is Us” seems staged and appears like just another stop ontheir PR campaign. Read more...
Concert movies in today’s cinema are notably ingenuous. The behind-the-scenes material of films such as “One Direction: This is Us” seems staged and appears like just another stop ontheir PR campaign. Read more...
Even in a city as industry intensive as Los Angeles, there can be a certain mystique to the working processes of Hollywood film and TV. “The Write Stuff: Your Future in Television,” a panel of UCLA School of Theater, Film and Television alumni who’ve worked in television, aimed to dispel that mystique by providing answers to one of the most elusive and attractive questions: How does one break into the business? Read more...
Photo: On Wednesday, Melnitz Hall’s James Bridges Theater was host to “The Write Stuff.” A panel of UCLA TFT alumni in the writing industry answered questions on how to succeed in the television business.
It's been a banner year for American cinemas and sex, arriving at a point where anything worth talking about in film (or so it seems) has to do with this curious new obsession with the flesh. Read more...
New thriller “Prisoners” keeps its audience alert and anxious while spinning every parent’s worst fear: a child gone missing. The film keeps an intense tone while presenting a carefully crafted plot that grips viewers with both its intelligence and terror. Read more...
With the innumerable remakes, reboots and sequels deluging Hollywood recently, “Riddick,” the third installment in the “Riddick” series, warrants anticipatory disappointment. However, “Riddick” proves to be an exception, never rising above expectations for a summer action movie but still remaining an enjoyable distraction. Read more...
The first time Dehanza Rogers saw her film in a theater she began to cry. Rogers, a UCLA master of fine arts candidate in directing and cinematography, said she was emotional because, after several months of strenuous work to create her short film, “Sweet, Sweet Country,” she could finally see her hard work in front of her. Read more...
Photo: “Sweet, Sweet Country” follows Ndizeye, a young girl who must support both herself and the family she left behind at a Kenyan refugee camp.
A teenage girl, a mentally disabled boy and a lost horse. Nicole Gordon, master of fine arts candidate in film production and directing at UCLA, wanted to save these characters for her final thesis, but she knew she could no longer wait to see them on screen. Read more...
Photo: “The Last Wild” is the story of a troubled teenage girl who searches for her lost horse with the help of a young boy.