Tuesday, December 30

Sundance 2022: ‘FRESH’ mixes comedy and cannibalism in new horror film

This post was updated Jan. 30 at 10:02 p.m. Beware: “FRESH” has an insatiable appetite for carnage. Premiering in the Midnight category of the Sundance Film Festival, the thriller ventures into the darker side of modern dating when a jaded Noa (Daisy Edgar-Jones) meets Steve (Sebastian Stan), a breath of fresh air in comparison to the problematic men she has met on dating apps. Read more...

Photo: Starring Sebastian Stan (left) and Daisy Edgar-Jones (right), “FRESH” combines humor with horror to tell a story of modern dating gone wrong. As director Mimi Cave’s feature debut, Cave said she strived to toe the line between reality and a fantastical thriller. (Courtesy of Sundance Institute)


Sundance 2022: Q&A: Lena Dunham talks sexual liberation, female sexuality in new film ‘Sharp Stick’

Lena Dunham is back in the world of feature filmmaking with a film sharp enough to make a mark. The director’s first feature film in 11 years, “Sharp Stick” debuted in the Premieres category of the Sundance Film Festival. Read more...

Photo: Kristine Froseth stars as Sarah Jo in Lena Dunham’s first feature in 11 years, “Sharp Stick.” The film follows Sarah Jo as she has an affair with her married employer and begins to explore her sexuality. (Courtesy of Sundance Institute)


Sundance 2022: ‘Every Day In Kaimukī’ explores meaning of home, complexities of heritage

In a tug-of-war between leaving and staying, one man stands in the middle. Director Alika Tengan’s Sundance Film Festival debut in the festival’s NEXT category, “Every Day In Kaimukī,” explores the internal back-and-forth faced by Hawaiian millennial Naz Kawakami (Naz Kawakami) as he prepares to move from his hometown in Kaimukī to the mainland. Read more...

Photo: “Every Day In Kaimukī” tackles the age-old question of what home means and the concept of belonging through Hawaiian millennial Naz Kawakami. Co-produced by alumnus Jesy Odio, the film follows Kawakami through his internal dilemmas as he plans to move to New York City. (Courtesy of Sundance Institute)


Sundance 2022: ‘Honk For Jesus, Save Your Soul’ reflects alumnus’ relationship with church culture

Jesus is taking the wheel – and giving it a honk while he’s at it. Directed and written by alumnus Adamma Ebo, “Honk For Jesus, Save Your Soul” is a contender in Sundance Film Festival’s Premieres category. Read more...

Photo: Starring Regina Hall (left) and Sterling K. Brown (right) as a megachurch’s first lady and pastor, respectively, “Honk For Jesus, Save Your Soul” explores what happens when powerful institutions go unchecked. The film was directed and written by alumnus Adamma Ebo, who wrote the screenplay during her time at UCLA. (Courtesy of Sundance Institute)



Sundance 2022: Festival organizers remain committed to creative connection despite virtual medium

Sundance Film Festival 2022 is shooting for the stars. Organized by the Sundance Institute, the annual independent film festival is the largest of its kind in the United States. Read more...

Photo: Sundance Film Festival 2022 kicked off Thursday with a press conference featuring Sundance Institute CEO Joana Vicente and other festival organizers. Despite being held online for the second year in a row, Festival Director Tabitha Jackson said the medium will not hinder a moment of creative convergence. (Courtesy of Sundance Institute)


Sundance 2022: Jesse Eisenberg debuts as director, explores family dynamics in new film

This post was updated Jan. 30 at 9:54 p.m. Jesse Eisenberg is taking a seat behind the camera. Known for his angsty on-screen roles, the actor has shifted to the director’s chair. Read more...

Photo: Jesse Eisenberg’s directorial debut, “When You Finish Saving the World” stars Finn Wolfhard (left) and Julianne Moore (right) as a dysfunctional mother-son duo who struggle to see eye to eye. With divergent opinions on what constitutes a value, Eisenberg said the pair eventually learn to appreciate the merit in each other’s individual pursuits. (Courtesy of Sundance Institute)



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