Monday, April 27

Q&A: Wake Owl band frontman shares inspiration

Vancouver-based indie band Wake Owl is comprised of four artists that, although separated by space, come together to make music. Consisting of vocalist and guitarist Colyn Cameron, drummer Andy Shauf, bassist Josh Daignault and violinist Aiden Brant-Briscall, Wake Owl’s sound will be familiar territory for anyone accustomed to the indie scene; the band isn’t breaking any boundaries. Read more...

Photo: Wake Owl, performing for free today in Bruin Plaza, discusses new EP “Wild Country,” the band’s musical growth over the years and where the members find their writing inspiration.


Faculty and students of the UCLA Herb Alpert School of Music will be performing tonight for the seventh annual “It’s a Woodwind World” concert. One of the pieces will be Trio, Op. 2 by Leon Levitch, a Jewish composer, Holocaust survivor and UCLA alumnus. Levitch began composing music at an early age, and was able to learn from a fellow refugee and pianist at an Italian internment camp during World War II.

Music carried composer through hardships

They were lucky, if it could be called luck. Read more...

Photo: Faculty and students of the UCLA Herb Alpert School of Music will be performing tonight for the seventh annual “It’s a Woodwind World” concert. One of the pieces will be Trio, Op. 2 by Leon Levitch, a Jewish composer, Holocaust survivor and UCLA alumnus. Levitch began composing music at an early age, and was able to learn from a fellow refugee and pianist at an Italian internment camp during World War II.

Faculty and students of the UCLA Herb Alpert School of Music will be performing tonight for the seventh annual “It’s a Woodwind World” concert. One of the pieces will be Trio, Op. 2 by Leon Levitch, a Jewish composer, Holocaust survivor and UCLA alumnus. Levitch began composing music at an early age, and was able to learn from a fellow refugee and pianist at an Italian internment camp during World War II.



Album Review: ‘Cerulean Salt’ by Waxahatchee

Punk rock is dead, punk rock is dying, punk rock died surviving. In a year when the genre threatens to crash at full throttle back into the mainstream (or at least pseudo-mainstream), from the anguished roar of Pissed Jeans to the wheezing desperation of Iceage, the quieter anguish of Waxahatchee’s “Cerulean Salt” could easily be overlooked as a folksy interlude. Read more...


UCLA student showcases one-man jazz act in Fowler concert series

At the age of 3, Nathan Kersey-Wilson’s favorite thing to do was jam out to the Beatles on his plastic saxophone. His musical passion began at this moment, leading him to eventually choose the saxophone as his primary instrument. Read more...

Photo: Fourth-year jazz studies student Nathan Kersey-Wilson will perform his one-man show tonight at the Fowler Out Loud series. Kersey-Wilson uses a loop pedal to combine various instrument layers.


Against the Grain: Brendan Hornbostel: Black Flag, Iceage build on West Coast Punk

Beyond the blazing fast drums, aggressive guitars and piercing vocals that have made West Coast punk an against-the-grain entity is the adoption of an anti-authority, do-it-yourself attitude that embraces individuality. Read more...

Photo: Black Flag’s 1981 debut album “Damaged,” featured the anthem, “Rise Above,” that cemented the band’s West Coast punk sound.



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